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issue # 31-32 (3-4).2005
Page. 05
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ICONOGRAPHIC AND VERBAL IMAGE FORMS IN FOLK ART ICONOGRAPHIC AND VERBAL IMAGE FORMS IN FOLK ART - the final part (beginning in No 1-2, 2005) of the Oleksandr Nayden's article of the hypothetic character. The author uses achievements and discoveries in different sciences to describe general regularities of appearance and spreading of icon and graphical forms, motives and folk plots. It's interesting that musical and natural history created on the maps by M. Vavilov and Hungarian musical expert B. Saboltchi describe the same cultural and historical relations: flourishing of ancient human cultures within definite fires and their spreading out of these fires. Cultural plants alongside with the farming idea and practice lost one features and acquired other. During the definite historical period they moved from Mesopotamia plateau to the west and north-west changing different features of farming rites. Thus, ascending spiritual image, the most complicated and thorough as to the realistic developing of the farm, appeared in the farming fire as a ready form and wasn't created gradually. Such a regularity might be peculiar to the development of all folk art motives, plots, compositions and schemes. |
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Union of Folk Art Masters of Ukraine
Kiev, Ukraine
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