Eternity. 1984.
It is very difficult for masters not to betray themselves in the period of traditional everyday life decadence. One should make efforts to overcome circumstances. Liudmyla Nestulia, candidate of history, thinks it's just this insubordination that is the energetic source of Oleksandr Babenko, tapestry master from Poltava. The cell of family memory seems to be the most influenced component of his conscience. Oleksandr states that he obliges everything to his mother. The world-known tapestry master Nadiya Nestorivna has a strong original personality due to her life in work. But if for the mother tapestry is the moment of peace, self-satisfaction, for the son it's the state of disquieting break. It's the desire to achieve not simply a formal perfection but to open a new sense, to discover his own philosophical stone. Harmonized from the first point of view master's composition is not apprehended as a net equilibrium. The pattern composition unexpectedly bursts out into fire. It seems as if the author has to tame all the time its dynamic nature. But the main thing is that Babenko has a solid background: the national tradition of everyday and sacral comprehension of the world.